A play by Lawrence Kessenich and Doug Holder*

Reviewed by playwright, Mary M. McCullough

Paul Victor Walsh (center-as the patient) Greg Hovanesian (as Leon–the mental health worker), Lis Adams (the nurse). Presented by the Boston Playwright’s Platform

The Patient, a play adapted by Lawrence Kessenich from a short story by Doug Holder, has three characters. LEON, a mental health generalist, as he refers to himself, sleeps days in his boarding house room. He is getting a graduate degree in American Literature, while working nights in a mental hospital. His work entails sitting by the bedside of a drugged and bound PATIENT. Other than speaking directly to the audience, his only interactions are with the patient and an overly friendly NURSE who attempts to engage Leon in her social life, outside the hospital. The play raises questions about sanity. When the patient wakes to confront Leon, the patient’s questions and analysis of Leon life threatens Leon’s fragile sense of himself. Leon tells him to go back to sleep but who is really asleep? The patient is more alive and more rational than Leon, asserting that Leon can choose to live differently. He also tells Leon that his boarding house room is a “suicide suite.” Leon, in a beautifully written, poetic monologue, early in the play, confirms he is “dreaming of remote possibilities that are actual dead ends.” Is Leon a suicide candidate? The play leaves one thinking that Leon and the patient are opposite sides of the same coin; and that the coin is about to be flipped. The play is well written and very intriguing.

Somerville resident Mary McCullough is a founder of The Streetfeet Women (http://www.streetfeetwomen.org) and an accomplished playwright, performer and writer.