A WORD ABOUT NEW ORLEANS VARIATIONS & PAROS OUROBOROS
EMBODIED IN WHISTLER’S BLUE
My love of New Orleans goes back to my first sight of it as a twenty-three year old galley man of a freighter on a voyage Gulfwise. Then there were no doors on the bars on Magazine Street that didn’t swing, and buskers danced or sang on every corner. I first felt the mystery of Paris shortly thereafter when my sense of time and space collapsed while crossing the Pont L’Archiveche. These two cities are forever twined in my mind by an underlying sense of color and tone that I tried to capture in the poem “Whistler’s Blue/ A Nocturne”, after a painting by the artist who was no stranger to both places, or this field and tone which is captured in his use of the color blue.
WHISTLER’S BLUE /
A NOCTURNE
If a man appears alone
on a bridge
on a snowy evening
walking toward
a series of lights
in a row of windows
he doesn’t necessarily
have a future
or a past he is simply
a point on a grid
part of a composition
that tells us
what it is
while implying it is
more than it says
we follow him
into the night
because of the blue
we want to know
from whence
he’s come and where
he’s going
because the blue
envelops
everything but is
thin as air
because it’s everywhere
like the nerves
of an acrobat
in pain
and we can hear it
asking us
to shed our skins
and follow
– Paul Pines
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